Multinaturalism

Cosmotecnics – Deeplistening

2022

Performance & Concerts

Opening concert – Composition multi-channel immersive
Collaborative work and creative done between composers and performers on the listener, the space and the technical and aesthetic of the sound system 3D presented by F. Deufel during the co-laboratories of the Biennial Sonandes.
Assembly Brush -Miguel Llanque (Dir.), Mizky  Bernal (Comp.), Mariel Tehran (Comp.), Carla Derpic (Int.), Maria Wealth Katari (Int.) (BO)- and Felix Deufel (OF) | Venue: Teatro El Galpón of the Park of culture and the Mother Earth.

Thursday, October 6  | 20:00 h.

Tripping through runtime
Improvisations with and in the electrosmog of informatics and computing
Valentina Vuksic (CH)
Artist sound and researcher focused on the emission physics of the computational | Venue: Teatro El Galpón of the Park of culture and the Mother Earth.
Friday, October 7  | 20:00 h.

Wakadrones to inkaklean
Performance refers to the experience of interstellar travel with wakadrones. The watchers of the classroom embark on a journey with YFOs and B®Systems based on the use of data teleported by wifi.
Boca Negra SA (BO) Jorge Monroy, Henry Silver, and Adrián Quintela. 
Traslapamiento of contemporary music and popular, composition, music expanded, psychology, law, computer science and other knowledge, informal. | Venue: Teatro El Galpón of the Park of culture and the Mother Earth.
Friday, October 7  | 20:00 h.
Rome
timeless space, a future built on ruins of a past aural where all sound elements are re-used and arranged in a new scene that questions the time, space, and everything that the human tried to sort in there. 
Cecilia Castro (AR)
His interests focus on the intersections between genres acoustic academics and electronic experimental
Venue: Teatro El Galpón of the Park of culture and the Mother Earth.
Saturday, October 8,  | 20:00 h.
MOZEÑADÁH 77,79,90,69,209,65,68,193,72
Contemplate the whole as an artifact multi-channel, different events of listening as fragmentation and unity, entropy or order.
Moseñada New Sensation (BO)
Set of Moseñada founded in October 2018 by:
Isabel Sanjines, Mariel Terán, Gabriela Saravia, Adrián Quintela
Yerko Estevez, Luciana Decker, Maria Dominguez, Adriaana Escobar, Ricardo Alfaro,Maria Wealth, Noelia del Carpio, Erick Cori, Sergio Thaine, Gilmar Gonzales, Andrea Mondaca, Carla Urrelo and Andrea Alvarez
The set is sponsored by Ronal Quispe, who is also a member of “The New Sensation”.
Place: Theatre The Shed in the Park of culture and the Mother Earth.
Saturday, October 8,  | 20:00 h.
Audioswarm The Paz22 
Dissolve the distinction between performer and audience, an invitation to participate. The performance opens up new possibilities to explore the boundaries between the personal listening and group dynamics.
John Grzinich (EE)
From the decade of the 1990s has focused on merging practices sound and listening, with various means of communication to challenge the entrenched perceptions antropocéntricas of the existence of the earth. 
Place: The chicken Coop Cultural Space.
Friday, October 14  | 20:00 h.
Every time someone says this is not dance a voice dies
If the sound is movement, how the sound is dance? How much do sound contains a movement? The sound of the bodies in the meeting to hear, move, transpose, move the space, this is a concert and a score of dance for three.
Project Border (BO)
Inhabits the arts alive from their limits to desdibujarlos, hibridarlos and transversalizarlos their works; their works are a result of experimentation and research active members. 
Place: The chicken Coop Cultural Space.
Friday, October 14  | 20:00 h.
Electro Schsipa 
Set of antennas and radios that can capture thousands of frequencies, the radio in the natural communication systems digital contemporaries. Spark plugs of a car as a radio-emitters that generate blockers often in real-time.
Jean-Pierre Aubé (CA) and Thomas Bégin (CA)
J. P. Aubé, is based on the scientific methods of data collection. 
T. Bégin focuses on the physical aspects of the information through installations and performances sound. 
Place: The chicken Coop Cultural Space.
Friday, October 14  | 20:00 h.
Sculptures Resonant
The antenna does not distinguish between electromagnetic waves and artificial exist in the nature. Collects and transmits, the sound changes through their nature and their interaction with their environment. 
Reni Hoffmüller (AU)
focuses on the art in technological contexts, explores the relationships between art, technology, and society. The sound is his main artistic tool, has an interest in walking, or find a new network of people to immerse yourself more in your environment.
The chicken Coop Cultural Space
Saturday, October 15  | 20:00 h.
Silene Capensis and Ceremony of Tea-lucid dream
to the sounds of the composition is extracted from an interaction with a system vermapónico self-regulated closed-circuit, which grows the root of the african dream, which is connected to sensors and sonificada by algorithms themselves.
Sam Conran (UK)
Creates works that use machines and systems to create portals for participants to dream and believe in symbiosis outside of the creative decisions ego.
The chicken Coop Cultural Space
Saturday, October 15  | 20:00 h.
Transmission, Information and Noise – High Voltage and Electrosmog paceño
Final samples of the collaboratories Canada-Bolivia 
Thomas Bégin and Jean-Pierre Aubé (CA) + Participants
A cluster of antennas, radios, spark plugs and transmitters, radio reception, listening, transmission and blockers of radio. Activism collective and listening machine in the herziosfera.
Place: Casataller
Friday, October 21  | 20:00-21:00h
sound Objects, spaces, sound
final Sample colaboratorio Estonia-Bolivia. 
John Grzinich (EE)+ Participants
In a world increasingly virtualized, it is easy to overlook the physicality of the objects, the qualities of the materials or the character of the spaces and how they intersect in the area of sensory. Sound and listening, a sensory experience to conceptualize non-verbal forms of communication and interaction. 
Place: Casataller
Saturday, October 22  | 20:00 h.
Closing party
Saturday, October 22 | 22:00 h.
Pretty Trash
Andra
Doki Doki Exorcist
Ariagus
Dj Shadow
Dj Sexshop
 

Listen Expanded

2018

Performance

INFRA:Variations to body, space, and sub-bass system | Carmen Collazos (BO), Cristina Collazos (BO), Patrick Cuellar (BO), Ricardo Schinidrig (AR), | 
Place: Cinemateca Boliviana.
Experience sound below the range of hearing. A powerful piece that uses sound pressure to move objects and to manipulate space. Commissioned work, the result of the residence Port Cochabamba.
Threshold | Rodrigo Ríos Zunino (CL) and Pablo Mansilla (BO) | Place: Cinemateca Boliviana. 
Developed from the work with blind people and their relationship with the public space. Especially with their displacement by the streets and avenues. Commissioned work, a result of the residence to Puerto Santa Cruz.
Instead of the voices | Christian Morales (GT) | Place: Cinemateca Boliviana.
Influenced by the Artificial Intelligence, Moral explores themes related to the imagination and perception of the memory through sound. Commissioned work.
Larsen Surf |Thomas Bègin (CA) | Location: Cinemateca Boliviana.
Which an ecosystem of sound, the work plays with the Larsen effect (sound phenomenon that appears when a microphone receives the sound emitted by a speaker), resulting here in complex loops of sound. This is a musical system able to self-regulate without the need of external information.
Sound artefacts | Assembly of the Laboratory of Experimental Music |  Place: Cinemateca Boliviana.
Presentation and activation of twelve sound artefacts. The assembly proposed an interactive visit to the public had the opportunity to play and improvise with the artifacts. Work invited
Improvisation with saxophone |Martín Escalante (MX) | Place: Cinemateca Boliviana.
Escalante, generates a job with the intense breathing and the movement of the body reaching an experience performative extreme. Work invited. 

Galleries Mobile

INFRA:Variations to body, space, and sub-bass system | Carmen Collazos (BO), Cristina Collazos (BO), Patrick Cuellar (BO), Ricardo Schinidrig (AR)| 
Place: cable car Yellow. Stop Satellite City.
Threshold | Rodrigo Ríos Zunino (CL) and Pablo Mansilla (BO) | Place: Plaza Abaroa. Sopocachi
Feedback Trash | Thomas Bègin (CA) and Bernardo Rojas (BO).  | Venue: Plaza Humboltd. South. 
Natural Resistance |Cristina Collazos (BO) | Place: Plaza Villarroel. Miraflores.  
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Global Day of Listening

Exploration House of the Flaviadas | Violet Montellano, Jorge Antonio Gutiérez Téllez,  Eduardo Machicado, Cristina Machicado | 
Place: House of The Flaviadas. Sopocachi.
Devices composed of a microphone contact, connected to a cane. It invites visitors to  explore the Home of The Flaviadas, guided by volunteers sighted and blind. 
Mantras Es | Daniel Bargach | 
Place: House of The Flaviadas. Sopocachi.
Songs of indigenous,  stories and soundscapes,  will gather to generate a journey of connection through the sounds that are reminiscent of 31 communities in bolivia. 
Team work 2018
Address, curatorial and cultural management: Guely Morato.
General production: Luciana Decker.
Production assistance: Marcela Knives.
Communication: Eloisa Peace.
Community Management: Black Concept. 
graphic Design: Eloisa Peace and Leo Pantoja.
Photographic record: Oliver Rivers, Matthew Knight, Eloisa Peace, Luciana Decker, Paul Mansilla and Risky.
Audiovisual recording: Carlos of the Eagle and The Machine of dreams.
Mediators of the cultural Gallery mobile: Alejandra Ledesma, Rebecca Flores, Karina Guarachi, Deborah Villarreal, Jassmany Vásquez, José Resnikovski, William Reinhard, Daniel Pacheco and Laura Barriga.

Public Space and Listen

2016

Performance

DLP sessions  (BO-RA)| Place: Source Market Camacho and Red cable cars-Season July 16.
The duo presented their work based on a search of sound that appeals to the toughness and directness of the sound. 
Assemble Weed  (BO) and Agustin Genoud (AR)| Amuki III | Place:Source Market Camacho.
Piece for four performers and  biosensors movement. Establishes a relationship between the silence, the listener and the sound environment of urban.
Josep Cerdà  (it IS) and a collective of sculptors (BO)| Inlets| Place: Mound of Sopocachi.
Piece by John Cage reinterpreted by Josep Cerdà, replacing the conch shells by sound sculptures with water inside it with tours and concavities various. Drops, rivers, rain, waves, and eddies. Piece to 12 sound-sculptures made specifically for this presentation. 
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Installations and Interventions

01011000 |Creador: Julian Morales (BO) | 
Location: Market Square Camacho.
 X to represent the intersection of two elements: biological and digital.
 System amorphous,  at the mercy of the randomness of oneself and one’s environment. This piece explores the symbiosis interactive of the living being and the digital system. The pulses of the viewer is used to engage in a dialogue sound with the system. Commissioned work for the festival.
Time |Creadora: Cristina Collazos (BO)
 | Location: Mound of Sopocachi
Invites you to listen to the passage of time through the transformation of matter. Located on the Mound with a view of the Illimani, generates a reflection on climate change. The mutation as a synonym of life. Commissioned work for the festival.
Territories |Creatoris: Daniel Bargach (SEE-BO), Ezequiel Rodriguez (AR-BO), Juan Pablo Jimenez (BO), Luis Carlos Martinez Wilde (BO), Jazmany Vasquez  (BO)and José Ballivian. (BO)
 | Location: Market Rodriguez. Canchón Bethlehem.
Piece that rescues memory and language, originating from four allyus that you deliver your products in the Market Rodriguez. 
The installation consists of a program of Radioarte, issued by approximately 60 speakers distributed in the central vault of the Canchón Bethlehem, allowing us to enjoy an experience unique sound.
Territory, culture, biodiversity, food heritage, knowledge, identities, are the key words of the piece. Commissioned work for the festival.
Pachamamófono |Author: Felipe Gutierrez (Chile) | 
Place:  the Church of St. Francis, Church of San Miguel, cable car Red Line. Central Station.
Device with multiple sensors to make a reading more or less directed the mother converting the data into audible signals. Ranges of temperature, humidity, airborne dust, rain, wind speed, low frequency vibration of the earth, they are responsible to merge and give rise to different compositions sound.
Senza | Author: Ozzo Ukumari (BO) | 
Place: cable car Line, Yellow,  Green Line, Red Line.
Interactive device that depends on five artifacts of telecommunication distributed in different latitudes of the city. The piece delves into the behavior of invisible electromagnetic fields in which we develop our daily life.
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Actions

Chenko |Createor: José Ballivian (BO) | 
Place: Exhibition 16 July. The High
In the action will be issued to the soundscape of the show. The exchange of these records sound by objects of the same space is the final result of the intervention. Commissioned work for the exhibition.
DLP sessions (BO-RA)Place: Exhibition 16 July. The High
will Bring the device to the passers-by and invite them to  improvise and learn about its construction.
What quiren you tell them? |Creador: Felipe Cussen (CL)
 | Location: Campus Chuquiagomarka. Book fair.
Improvisation that go gradually, the journey between the language heard and the noise. Commissioned work for the festival.
Head |Creators: Galo Coca (BO) and Agustin Genoud (AR)
 | Place: Mirador de Killi-Killi.
The head of Tupac Katari was left in the now Mirador de Killi-Killi. This action sound evokes a voice long silenced you find new ears for listening. 
commissioned Work for the exhibition.
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Collaboratories, lectures and workshops

Sound and Movement |Collaborate: Agustin Genoud (BO), Galo Coca (BO), Assemble Weed (BO). 
Focuses on the construction of different types of circuits, devices and sensors biophysical open source software, designed to scan the internal sounds of the body (muscles, blood circulation, force).
Inlets | Sound Sculpture Workshop | Josep Cerdá (IS), Chinese Condarco  (BO) and students of the specialty of sculpture of the race of Arts of the Universidad mayor de San Andrés.
Creating sound sculptures of resonance where the sound is activated by the movement of water in their interior.  The purpose was to interpret the action sound of John Cage: INLETS.  
Cumulonimbus |Workshop radio radio | Narda Alvarado (BO) |Radio Wayna Tambo 101.8 FM
Seeks to deconstruct and play with language radio to talk about the clouds with producers, broadcasters in order to unravel the mysterious existence of these bodies ethereal of indescribable beauty visual and sound.  
Meetings sound |Workshop of collective creation | Daniel Bargach (SEE-BO) and Ezequiel Rodriguez (AR-BO) | Place: Medialab, CCELP
Log soundscapes, musical instruments and various objects to perform an installation, a collective in the Canchón Bethlehem Market Rodriguez.  
The confusion of sound |Workshop of sound poetry | Felipe Cussen (CL) | Place: Cultural Center of Spain in The Peace.
Introduction to the history and practices of the phonetic poetry and sound, in relation to areas such as education, sound, public art and field recordings. The result was a play presented at the Book Fair.
Young creators: Science, art and technology |Discussion board | Cristina Collazos (BO), Felipe Gutierrez (CL), Agustin Genoud (AR) and Oscar Sosa (BO) | Place: Audit of the Career of Art U. M. S. A. 
roundtable Discussion focused on the relationship of art and new media. A language that expands and offers a field of exploration and creation pop up. 
Sound Art: The art of exposing sounds |Conference| Josep Cerdà (S) | Place: Audit of the Career of Art U. M. S. A. 
A global overview of the work in sound art, directing special attention on sound sculpture and sound installation.
Team work 2016 
Direction, curatorial and cultural management: Guely Morato.
Field production: Adrian Garcia
production assistant: Fabrizio Flowers, Noelia Morato, Pablo Morales, Marcelo Sandoval.
Public relations: Geraldine O’brien.
Communication: Ariane Jauregui.
Graphic design: Wildlife Graphics.
Photographic record: Oliver Rivers.
Audiovisual recording: Miguel Hilari.
Lighting design: Heidi Valda.

Listen and Memory

2014

Performance and Facilities

Body Sound| Daniela Rico and Miguel Llanque | Performers: Mark Pereira and Daniela Rico | Place: Cinemateca Boliviana.
Mantra | Bernard Villagomez | Interpreter Maria Teresa Dal But | Place: Cinemateca Boliviana.
Diatribes (CH) and Members of the OEIN (BO)| Place: Cinemateca Boliviana.
Francisco López (BO)| Place: Cinemateca Boliviana.
Forest of Ghosts | Augustine Rise (UK)| Location: Botanical Garden of Miraflores.
Data | Jorge Zamora (BO)| Place: Creative Space IMA
RPN | Marco Valdivia (PE) and Sergio Callejas (BO)| Place: Creative Space IMA
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Workshops and Talks

surround Sound: the Creation of holograms sound |Augustine Rise (UK) | Location: infanta elena public Botanical Garden
Improvisation | Diatribes (CH) | Place: House District Jaime Saenz
RPN-to-Noise ratio for Niñxs |Marco Valdivia (PE) | Place: Creative Space IMA
Synthesis of sound applied and construction of oscillators |Ricardo Schnidrig (AR) | Lugar: Creative Space IMA
network underground international
and of the real world as environments for
the sound creation| Francisco López (S)
| Place: Cultural Center of Spain in The Peace.
PD meeting Bolivia |Community PD | Place: Medialab, CCELP.
 
Team work 2014
Address, curatorial and cultural management: Guely Morato.
General coordination: Cristina Machicado. 
general Production: Ariane Jauregui.
Assistants can of production: Pablo Morales, Fabrizio Flores, Antonio Eid, John Paul Neri.
Public relations: Wara Godoy and Geraldine O’brien.
Graphic design: Frank Arbelo.
Photographic record: Juan Gabriel Estellanos.
Audiovisual recording: Pamela Romano.  
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