WAK`A

Neo-extractivism, Sacredness & Deep Listening

2020 – Ongoing

Curatorial Text

Ontological Paradigms and the Political Economy of the Sacred

Wak’a examines three ontological paradigms as coexisting belief structures that organize power, extraction, and economic value simultaneously across time. Andean animism operates as a relational system in which the sacred regulates territory: mountains, minerals, and ecosystems exist as entities embedded within reciprocal obligations, subject to cosmological constraints that govern what can be taken and at what cost.
Evangelization introduces a radical epistemic rupture. The sacred is displaced from the territory and reterritorialized into doctrine, enabling land and matter to be redefined as inert, available, and ownable. This shift establishes the ontological conditions for extractivism by severing the relational accountability that had previously governed human engagement with place.
Contemporary technological systems extend this logic rather than break from it. Technology emerges as a new liturgical regime: it demands faith in progress, operates through opaque authority, and legitimizes sacrifice zones as necessary externalities of development. Its infrastructure is sustained materially and symbolically, through belief structures that mirror those it claims to have superseded.
The central argument of Wak’a is that sacrality functions as a governing infrastructure of economic systems. What a society defines as sacred determines what can be extracted, from whom, and at what cost. Tracing these three paradigms reveals that extractivism is, at its foundation, an ontological operation before it becomes a technical or economic one.

Wak’a is a sacred body / territory

Concentrates natural energy and manifests itself in the form of mountains, lakes, rocks, etc. They are elements of energy regulation that accumulate cosmic, telluric, feminine and masculine energies. Through these wak’as the amautas, laramas, yatiris, (doctors and wise men) spiritually guide their community to communicate with Pacha (Space-time, as an inseparable unit).

The Wak’as in our current world would become nodes of connection, they are respected, and can mark the boundary between the territory of the members of the communities and the territory of the Wak’as, a space where wild fauna and flora live.

Extractivism I Neo-extractivism

The human footprint caused by extractivism in Bolivia, focusing on the history and present of the Cerro Rico de Potosí silver mine and the present and future of the largest lithium salt deposit on the planet, located in the Salar de Thunupa.

The actions and consequences of silver mining have radically reshaped the landscape and life in the area during the last five centuries. At present, the desert territory Salar de Thunupa does not suffer the impact of large-scale mining, however, the national and international interest in the exploitation will have an impact on the following decades.

Wak’a: apnea and sighs for a route

Surfaces and depths of the soundscape of the Cerro Rico de Potosí and the Salar de Uyuni

Recorded in first order ambisonics and exported in binaural. For a more immersive listening use headphones

COMPIIINDIVM SONANDES –  Bolivia YIIIAR Journey

Radiophonic play created for Sonic Matter Sound Art Radio platform, during the first edition of festival based in Zurich, Switzerland.

Recordings from different actions carried out in the field, during more than 3 years of listening practices research.

Recorded in first order ambisonics and exported in binaural. For a more immersive listening use headphones

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Λιθίον

Radiophonic play on the Cerro Rico (Rich hill from Potosi, on the implication of the arts to adoctrinate in the first colonization era, the Virgen Cerro (Hill Virgin) and the extractivism techniques carried out at the moment.

 

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For a better experience, we suggest listening with headphones

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Vestiges and traces
 Aereal photography from the Llipi Lithium mine Potosi. 2021

EXO|ENDO

It is an immersive installation, 3D audio and virtual reality experience.

A collaboration between scientists, miners, anthropologists, historians, engineers and artists from Bolivia and Germany.

The first draft proposes a diptych approach between both territories and the impact of the human footprint on the soundscape, with emphasis on the voice of the Andean worldview and its local communities.

Presented in Zentrum für immersive Medienkunst, Musik und Technologie. October 2021. Leipzig-Deutschland.
Presented at Sonic Matter. December 2021. Zurich-Switzerland.

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EXO:ENDO Witnessing Mining

Exhibition preview

Researchers and communities in Bolivia

Guely Morató headresearcher
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Víctor Mazón headresearcher Sonandes
Mineros Cerro Rico Sonandes
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Documentaries and audiovisual essays produced during the communal dialogue from December 2020 to December 2021

Listening actions and compositions carried out during the ongoing research


Caracoles Silver Mine Cerro Rico

Las cuevas de Portland en Pulacayo

Amuki IV. Llanque 2021

Muro de Piedras

Relato Wak´a

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